Yang Zhaoning “Dressing masculinities: muted colours, aesthetic citizenship and nation-building in Tashkent,
Uzbekistan” maqolasidan:
…O’zbekistonning birinchi prezidenti Islom Karimov Sovet rejimidan so’ng o’zining boshqaruvini va O’zbekistonning mustaqilligini qonuniylashitirish uchun gegemon erkaklikni qayta modellashtirgan.
Gender millatchilikning o’sishi sovet davrining jiddiy asoratidir. Yuqorida ta’kidlanganidek, bo’g’iq ranglarga bo’lgan estetik tanlov ildizi Sovet ittifoqining sotsialistik ta’siri va uning oddiylik va qulaylikka asoslangan estetik tanlovlariga borib taqaladi.
Ko’plab suhbatdoshlarim shuni ta’kidlashdiki, kiyimlarning rangiga bog’liq biror madaniy tabu mavjud emas, kiyinishga oid tavsiya va umumiy estetik tanlov ijtimoiy ta’qiq emas balki shaxsiy diddan kelib chiqib o’zlashtirilgan. Masalan, so’rovnoma ishtirokchilari shuni ta’kidlaydiki, ular qora, jigarrang va to’q ko’k rangli kiyimlarni tanlaydi, chunki ularning o’zlari bu ranglarni ma’qul ko’radi va ko’proq yarashadi deb hisoblaydi.
Shu bilan birga ularning bo’g’iq ranglarga bo’lgan tanlovi bozorlarga bog’liq. Ular asosan bo’g’iq rangli kiyimlar sotiladigan mahalliy bozorlardan xaridni amalga oshiradilar.
Bo’g’iq ranglarga bo’lgan estetik tanlov o’zbek madaniyatidagi ranglarning gender ishorasiga bog’langan. Masalan, erkaklar uchun yorqin ranglar, ayniqsa pushti rang, koreys uslubidagi keng va kalta shimlar odatda ayollarga xos chiroy, “ajnabiy”, boylik va axloqqa nomutanosib deya baholanadi.
@kitobdorr
Uzbekistan” maqolasidan:
…Islom Karimov, the first president of Uzbekistan, remodelled hegemonic masculinity to legitimize the independence of Uzbekistan and his own governance after the Soviet regime.
…O’zbekistonning birinchi prezidenti Islom Karimov Sovet rejimidan so’ng o’zining boshqaruvini va O’zbekistonning mustaqilligini qonuniylashitirish uchun gegemon erkaklikni qayta modellashtirgan.
The rise of gendered nationalism in Uzbekistan has been profoundly influenced by the Soviet legacy. As mentioned earlier, the aesthetic preference for wearing muted colours has its roots in the remnants of the Soviet Union’s socialist legacy and its aesthetic preference for practicality and simplicity.
Gender millatchilikning o’sishi sovet davrining jiddiy asoratidir. Yuqorida ta’kidlanganidek, bo’g’iq ranglarga bo’lgan estetik tanlov ildizi Sovet ittifoqining sotsialistik ta’siri va uning oddiylik va qulaylikka asoslangan estetik tanlovlariga borib taqaladi.
Most interlocutors reaffirmed that they thought there were no specific cultural taboos related to clothing colour, suggesting that sartorial practices and aesthetic preferences are usually internalized as personal tastes rather than social restrictions. For example, many participants mentioned that they often chose clothing in black, brown or dark blue because they personally preferred these colours and thought they suited them well.
Ko’plab suhbatdoshlarim shuni ta’kidlashdiki, kiyimlarning rangiga bog’liq biror madaniy tabu mavjud emas, kiyinishga oid tavsiya va umumiy estetik tanlov ijtimoiy ta’qiq emas balki shaxsiy diddan kelib chiqib o’zlashtirilgan. Masalan, so’rovnoma ishtirokchilari shuni ta’kidlaydiki, ular qora, jigarrang va to’q ko’k rangli kiyimlarni tanlaydi, chunki ularning o’zlari bu ranglarni ma’qul ko’radi va ko’proq yarashadi deb hisoblaydi.
In addition, they usually chose muted colours as a result of market availability, as they usually shopped for clothes at the local bazaars, where most clothes for men came in muted colours.
Shu bilan birga ularning bo’g’iq ranglarga bo’lgan tanlovi bozorlarga bog’liq. Ular asosan bo’g’iq rangli kiyimlar sotiladigan mahalliy bozorlardan xaridni amalga oshiradilar.
The aesthetic preference for muted colours is related to the gendered connotations of colours in Uzbek culture. For example, for men, bright colours, especially pink, and different styles, such as Korean-style baggy or short pants, are often attributed to feminine beauty, ‘foreignness’, wealth and immorality.
Bo’g’iq ranglarga bo’lgan estetik tanlov o’zbek madaniyatidagi ranglarning gender ishorasiga bog’langan. Masalan, erkaklar uchun yorqin ranglar, ayniqsa pushti rang, koreys uslubidagi keng va kalta shimlar odatda ayollarga xos chiroy, “ajnabiy”, boylik va axloqqa nomutanosib deya baholanadi.
@kitobdorr